Archive for August, 2011

Awards of Compensation for Intellectual Property Infringement: Damages in Copyright Cases

Copyright | Posted by
Aug 25 2011

Awards of Compensation for Intellectual Property Infringement: Damages in Copyright Cases

When an employee or consultant obtains works without a license and they are used within a business (such as photographs or software), they will infringe copyright. In the ordinary course, employers are vicariously liable for the acts of employees during the course of their employment and for the acts of independent contractors. A copyright owner is likely to have several courses of recovery for the infringement against:

the employee or consultant for authorising the infringement by the employer;

the employer on the basis of vicarious liability;

a person responsible for a place of public entertainment, for allowing or permitting to be used for performance of a literary, dramatic or musical work;

a person providing the means by which to reproduce the work.

Obviously, the employer is the most likely target for a claim to damages, as they are seen to be 1. a stable enterprise with a vested interest in avoiding litigation followed by a damages payment; and 2. the employee is more than likely not going to be in a position to satisfy a judgment and the legal fees incurred in the conduct of a claim.

The Measure of Compensation

Damages are said to be at large in copyright cases, as they are not fixed to any particular measure. Damage caused by infringement of copyright is quantified by the value by which the copyright is diminished as a chose in action.

The measure of pecuniary damage likely to be ordered in an action for copyright infringement is that of its commercial value. The commercial value of a work in the circumstances of infringement is reached by one of two methods. Firstly, where the infringing works are sold (by the defendant), the commercial value is represented by the loss of profit to the owner, as the owner has been deprived of the opportunity to sell licenses for the work. The alternate means applies where the work is simply used by the defendant, and not resold by them.

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Sales of Goods and Diversion of Customers

When a copyright work is copied and sold, the owner of copyright is entitled to recover their loss of profit caused by the diversion of trade to the defendant. Thus, in a case where the claimant was in the business of producing Christmas cards and offering them for sale to the public, the claimant was awarded the profits that the claimant was deprived by the actions of the defendant.

This is not to say that the claimant would be entitled to recover for all of the sales made by the defendants, as the claimant may not have sold as many as the infringer; whether the claimant will be entitled to recover for all of the infringing sales of the defendant depends on the circumstances of the case at hand. In the events that the particular copyright work is sold at reduced prices serves aggravate the damage suffered by the claimant.

The owner is also entitled to recover for the loss to the reputation of the original copyright work. A loss of reputation will take place where the works are sold at a reduced price, at a reduced quality or in a vulgar or distasteful fashion, such the claimants’ own sales in the future would be prejudiced.

Reproductions without Sale

Where the defendant does not trade in the goods copied, such as using photographs on a website, or uses infringing software, the method of calculation described above (which accounts for loss of profits for diversion of trade) is not the appropriate measure for calculating damages. The proper measure in these circumstances is a reasonable license fee that the copyright owner would reasonably charge for a license to use the photographs in the particular circumstances. The award of damages will be that of a willing copyright owner and a person in the position of the notional licensee, being the defendant.

Conclusion

Simply because a copyright owner seeks to recover from business, does not prevent the business seeking recovery from the employee or consultant who was responsible for, that is, authorized the infringement by obtaining the copyright work unlawfully and making it available to the business for use.

Despite frequent claims of excessive damage by owners, they are not in a position to enforce a claim for a sum of compensation greater than the loss that they are able to prove with reasonable certainty. This process takes in a process of ascertaining on the particular facts what the copyright owner would in fact be entitled to recover at law.

Leigh Ellis is an intellectual property solicitor with Gillhams Solicitors in London providing legal advice on intellectual property disputes. He advises on intellectual property rights infringement, including software infringement. He started life as a software engineer, and moved to the law specifically to provide legal advice on technology and technical issues.

Source: ArticlesBase.com

Songwriters: Important Copyright Information

Copyright | Posted by
Aug 20 2011

Songwriters: Important Copyright Information

Songwriting is a cathartic exercise that allows musicians to escape the conundrums of daily routines. From the first spark of melody to the flicker of promising lyrics, the process of creating something from nothing is genuinely rewarding. Just as painters display their work on gallery walls, song writers are driven to gauge public reaction of their compositions. Whether performing the number at an open mic night at the corner coffee house or posting it on a music community sites like Echoboost.com, the music is out in the open to entertain audiences.

However, many songwriters hesitate before sharing their creative property for fear of other artists stealing their original ideas. This is where a copyright comes in. It’s important to note that original work is copyrighted the moment it is recorded on paper, computer file or disc. Protecting the work, though, is another issue.

According to the U.S. Copyright Office, “Copyright is a form of protection provided by the laws of the United States to the authors of ‘original works of authorship’…It is illegal for anyone to violate any of the rights provided by the copyright law to the owner of the copyright.” The official U.S. Copyright site features a list of these rights and includes the three basic steps to securing your own official sound recording copyright–which requires an approximate six-month turn around and a registering fee.

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For home made artists looking for a cheap alternative to the watertight and time-tested U.S. Copyright Office method, the myth of the “poor man’s copyright” may satisfy. The basic concept is to mail a copy of the work (recorded song and lyrics) to yourself and leave the envelope unopened until the day you have to prove you created the material yourself. Unfortunately, it would be easy to fraudulently duplicate this method by mailing an unsealed envelope to yourself and, therefore, appears to hold little legal value. For more pros and cons on the poor man’s copyright, visit CopyrightAuthority.com, which notes “Cheap copyright methods have never proved as reliable as the official methods.”

Posting songs online at sites like Echoboost.com could be considered a new, tech-savvy poor man’s copyright since you would have a link to the existing music in addition to the website’s record of the original posting date. A search for information to back up this simple online copyright solution came up empty, so it may or may not be any more effective than mailing a copy of the song to yourself.

Music business attorney and author Don Passman said it best in a Taxi.com article when he backed up the argument to go through proper channels when claiming ownership for creative material: “You don’t need it to register the copyright in Washington, but it is a nice piece of evidence. If someone claims he wrote the song on such-and-such a date, and you can prove you wrote it before that, then it helps.”

Read additional music-related articles by visiting
Echoboost.com or

the Echoboost Blog.

Source: ArticlesBase.com